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In the mid 1960s, the NME was primarily dedicated to pop while its older rival, Melody Maker, was known for its more serious coverage of music.Other competing titles included Record Mirror, which led the way in championing American rhythm and blues, and Disc, which focused on chart news.
During the 1960s the paper championed the new British groups emerging at the time.The latter part of the decade saw the paper chart the rise of psychedelia and the continued dominance of British groups of the time.During this period some sections of pop music began to be designated as rock.It was the first British paper to include a singles chart, in the edition of 14 November 1952.In the 1970s it became the best-selling British music newspaper.The first circulation figures published in February 2016 of 307, 217 copies per week were the highest in the brand's history, beating the previous best of 306,881, recorded in 1964 at the height of the Beatles' fame.
It was relaunched as the New Musical Express, and was initially published in a non-glossy tabloid format on standard newsprint.
Although articles by the likes of Mick Farren (whose article "The Titanic Sails at Dawn" called for a new street-led rock movement in response to stadium rock) were published by the NME that summer, it was felt that younger writing was needed to credibly cover the emerging punk movement, and the paper advertised for a pair of "hip young gunslingers" to join their editorial staff.
This resulted in the recruitment of Tony Parsons and Julie Burchill.
To achieve this, Smith and his assistant editor Nick Logan raided the underground press for writers such as Charles Shaar Murray and Nick Kent, and recruited other writers such as Tony Tyler, Ian Mac Donald and Californian Danny Holloway. Rex, and then came punk...1977 it had become the place to keep in touch with a cultural revolution that was enthralling the nation's listless youth.
According to The Economist, the New Musical Express "started to champion underground, up-and-coming music.... Bands such as Sex Pistols, X-Ray Spex and Generation X were regular cover stars, eulogised by writers such as Julie Burchill and Tony Parsons, whose nihilistic tone narrated the punk years perfectly." I think all the other papers knew by 1974 that NME had become the best music paper in Britain.
The NME Poll Winners' Concerts took place between 19.