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” It is as if Samantha became a crack addict just by eating guacamole.
She prances through Prada, stretching out her arms for what she thinks she wants. These women are the Four Shoe Women of the Apocalypse. Sex and the City is really an advert for the fashion industry, which would be fine, except it does not advertise itself as such.She is, simply, the worst journalist in the history of the world. This is acknowledged when, towards the end of the series, she washes up at Vogue, the worst magazine in the history of the world. In another, Carrie realizes she is homeless because she has spent $40,000 on shoes and does not have a deposit for an apartment.She claims to hang out in the library but, in six series and one film, the only book she ever picks up is Love Letters of Great Men. (In this crisis, she cries and borrows the money for the deposit – what child would do anything else?By the end, she looks so synthetic she could fold herself into one of her drawers between the tissue paper. Extreme slenderness is vital for the women in Sex and the City – to be of normal dimensions is to check out from Planet Earth.I only spotted one plump woman in the entire run, and she was black.She finally proposes marriage when she realizes that, should he dump her, she won’t have a cent. Sex and the City came out in 2008 Sex and the City 2 came out in 2010 The Big Short, the film adaptation of Michael Lewis' book of the same name about the causes of the financial crisis, opens in UK cinemas this weekend.
How will the story stack up against the greatest films about business?
The happiest character, Charlotte, is by far the most conventional – rich husband, children, no job (by the end), a Park Avenue palace. And it is – the search for a father’s love, not an equal’s love. (He, meanwhile, calls his raddled Lolita “Kid”.) Big is, obviously, a super-rich businessman because men with ordinary jobs are despised in Sex and the City.
Carrie calls John, the alpha male she chases through the series like a head in search of a wall, Big. When Miranda, played by Cynthia Nixon, marries a kindly barman, she has to move to the-hell-that-is-Brooklyn. Big, played by Chris Noth, is part carer, part paycheck.
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Sex and the City is embraced as a feminist Bible on screen.
When offered the choice of whether to eat or read Vogue, she chooses Vogue. At the beginning of the series she has wild hair and spots and almost-normal clothes – that is, she looks as much like an ordinary woman as an actress ever can.